The random lines of previous years have highlighted a link with a very specific image production in Western culture: stained glass. The fragments suggested by the lines joining the real stained glass are treated to reflect the diversity of the subject by varying the nature of the supports, the techniques and the content of the pieces of the puzzle.

The narrative aspect of the representation is accentuated by patching the support with pages from old books and adding thick letters. Every representation suggests a story. This line of thinking led to the creation of works in relief, particularly in the form of open books combining illustrations, symbols, writing and materials.

At the end of the decade, under the figuration of the world I proposed a more social dimension to evoke the ultra-liberal universe. The barcode and the QR code are the most representative symbols of our world governed by a pre-eminent finance. Images and logos evoking the contemporary cult of Mammon feed the link between media and representations.